Points NORTH: The Power of a Good Party

The description was vague but intriguing for “Further North,” a Design Week Portland event being hosted by NORTH, an advertising agency known for its work with Columbia Sportswear, Pacific Foods, and Cover Oregon (not their fault!). Would it be a panel, a lecture… ? Turns out, it was mostly just a party—a really good party—albeit with opportunities to make your own poster in the spirit of NORTH’s handmade methods for creating fonts and label designs. There was also a booth (where you could ask a NORTH employee anything), free burritos, beer on tap, and a display of how the creatives at NORTH go from literally doodling with ink and paper to creating some of the most recognizable package design on the shelves of the grocery store.

Creative Circle_Marjorie S_North Relatable Art

Full disclosure: I knew there would be some familiar faces in the crowd. One of NORTH’s Creative Directors is an old acquaintance who dates one of my good friends, and an art director I’ve worked with for years produces his outdoor adventure magazine, Stay Wild (to which I also contribute writing and copyediting), under NORTH’s custodianship. Since I was rolling solo, this took the edge off potential awkwardness, but instead of limiting me to interactions with people I already knew, these associations served as a bridge to get to know other, looser contacts.

Standing in the same conversation circle as the aforementioned CD put me in position to strike up a long conversation with the NORTH’s Executive Producer—who I’d technically met previously, but only slightly knew. The arrival of a freelance photographer I knew led to an introduction to a Portland-based wardrobe stylist whose work I’ve been following. I didn’t know that Kelley Roy, founder of the ADX manufacturing hub and Portland Made advocacy center, would be there, but I ended up talking to her for most of the last leg of the evening, and I even met, IRL, the owner of a modeling and talent agency before we realized we’d already corresponded over email months ago.

Creative Circle_Marjorie S_North Plans for Cans

I was surprised to check my phone and realize that I’d stayed for almost the entirety of the three-hour event, floating from conversation to conversation, and getting an impromptu tour of NORTH employees’ desk collections (including a ticket stub from Dollywood, a sea monkey terrarium, and a preserved baby shark), their hilarious “email treadmill,” and the dark, upholstered booths hidden throughout their offices for private phone calls (though they look like they’re for making out).

In an industry where relationships and personal chemistry are a bedrock, NORTH set the tone by being welcoming and curious about its guests. There may not have been much formality or structure involved, but I left the event feeling fulfilled, connected, and as though the time—though about twice as long as anticipated—had been well spent.


Marjorie is a former Creative Circle candidate based in Portland who recently accepted a full-time offer for her dream job. She is a writer/editor and stylist/producer with an emphasis in the design world. If you are interested in working with someone like Marjorie, please contact your nearest Creative Circle office.

Still on the fence about attending events or open houses?

Read our blog on why it’s important.

Open Houses and Oversharing: The Design Week Portland Meal Plan

Good news: No need to make dinner arrangements during these few days that Design Week Portland’s open houses are in effect. This year, the studios, agencies, and retailers who are opening their doors have really kicked it up a notch with the hosting duties. Show up early enough and you may well find a full dinner awaits. In fact, if I’d wanted to, I could have eaten three dinners last night, between attending four open houses and one well-sponsored event.

I began at Beam & Anchor, an out-of-the-way gem of a design shop on N Interstate that traffics in beautifully curated housewares and one of the best selections of accessories in the city. Above the retail space are a few studios occupied by makers of various sorts, who welcomed the public upstairs for a rare glimpse behind the scenes.

As a serial DIY-remodeler, I’m a magpie for all things home-oriented, so I was immediately drawn to the corner of the space occupied by Current Collection, a not-quite-launched line of pendant light fixtures designed by Nash Martinez. There’s no website or official list of stockists yet, and Current’s Instagram is claimed but unused, but you can glimpse a few of the pieces exclusively downstairs in Beam & Anchor should you be in the market for an illuminating conversation starter. (Note: there was hummus and grapes and that sort of thing, but the gustatory highlight of this open house was definitely the bottle of limited edition Spanish red wine Martinez opened for the occasion.)

Design Week Portland Beam Anchor Current Collection Open House

Moving on, around the corner I had to check the address twice to be sure I had arrived at The Brigade. The black door leading up to the spacious, whitewashed offices of this young digital agency is marked only with their logo, a pair of crossed swords. It’s an agency with a musical bent—they’ve worked extensively with Spotify, and helped create the Nike Women Move Mix app, which curates athletes’ playlists based on taste, type of workout, and pace—and a young, friendly staff, who gathered around an enormous spread of tamales from Tamale Boy, which is set to open a new location in The Brigade’s neighborhood. After downing an enormous vegetarian version, I set about making new friends, including super-nice Brigade partner Zeke Howard, with whom I connected over a few mutual contacts and swapped email addresses.

Design Week Portland The Brigade Open House

Dining and networking needs addressed, it was time to move on to 534, the shared studio space of Spacecraft, Merkled Studio, New Refined Basics, and VINCAdesign, where there was a casual, family friendly Mediterranean-style cookout underway. Used mainly by people working with wood and metal for furniture and jewelry, the space has a garage-y vibe, littered here and there with intriguing evidence of ongoing experimentations, like a giant egg-shaped tree burl that’s been polished smooth for no apparent purpose. There I bumped into a few familiar faces from Portland’s independent retail and fashion design scene, sampled an unlikely sounding cocktail involving spicy black pepper, pomegranate, and cucumber infusions (unique, delicious), and took a peek at furniture prototypes inspired by tree shapes and midcentury aesthetics.

Design Week Portland Tree Burl

The last open house of the evening was actually more of a group sale featuring the work of students from the MFA in Applied Craft + Design program created as a collaboration between the Oregon College of Applied Craft (OCAC) and the Pacific Northwest College of Art (PNCA). Students, alum, and faculty offered an array of work priced at $50 or less, spanning hang-able art, wearable art, ceramics, handmade books, and more. A few clever items, like the grapefruit drinking vessels by Cat Chidester Brown, made me wish I had as much space in my cabinets as I do love for discovering new ceramics designs (read: limitless).

Design Week Portland Cat Chidester Brown Ceramics

I ended the night next door, in the spacious XOXO Outpost warehouse, where I passed on dinner opportunity #3 in the form of free pizza from Roman Candle. Worry not—it was decimated without my help by fellow attendees of Overshare, a panel discussion and podcast taping hosted by the creative freelance network Working Not Working. The Portland-centric panel featured illustrator and educator Kate Bingaman-Burt, The Pressure’s Adam R. Garcia, and newly minted Nike designer Rich Tu. Beginning with a round of white wine shots (ewwwww) to break the ice, WNW co-founder Justin Gignac set about grilling his panel on everything from their feelings about Portland past, present, and future to admissions of their worst professional anxieties.

Design Week Portland Overshare

Billed as a casual, unguarded exercise in real talk, plenty of F-bombs were dropped as the panelists proved themselves generously forthcoming about their methods of self-preservation, early days of struggle, and the ongoing work of staying inspired (turns out maintaining a state of perpetual dissatisfaction may be a sign you’re doing it right). There wasn’t a lot of prescriptive advice, but it helped serve as evidence that those who pursue a creative career path share the same struggles. Not only is that struggle real, but in the long run, it’s also the point.


Marjorie is a former Creative Circle candidate based in Portland who recently accepted a full-time offer for her dream job. She is a writer/editor and stylist/producer with an emphasis in the design world. If you are interested in working with someone like Marjorie, please contact your nearest Creative Circle office.

Still on the fence about attending events or open houses?

Read our blog on why it’s important.

Design Week Portland starts this week. We asked designer Matthew T. to share how Portland lives creative through some of the city’s inspirational spaces.

The Good Mod

Creative-Circle_Matthew-T_The-Good-Mod

Nestled in one of West Burnside’s longstanding warehouse loft spaces, The Good Mod boasts a diverse stockpile of refurbished Midcentury furniture and design. Ascend the old-school industrial elevator via the unassuming glass-paned entrance on street-level, and you will be greeted by a pleasant host who will help you navigate the towers of Eames chair frames and nordic coffee tables. A unique quality of The Good Mod is its ability to seem peaceful and minimal while functioning as an active repair shop. The open concept and natural light allows for a moment of peace in the buzz of Portland’s thriving West End neighborhood.

 

Ace Hotel

Creative-Circle_Matthew-T_Ace-Hotel

Further embedded in Portland’s West End is the flagship location of Ace Hotel, an independent hospitality effort focused on design-driven hosting, with extra care attended to the presence of local designers and an engaged staff. Aside from its bright lobby, which also houses a Stumptown Coffee location, the upstairs common areas host an intimate study area where anyone can go to relax, meet others, or read one of the many publications complimentarily provided.

 

Clyde Common

Creative-Circle_Matthew-T_Clyde-Common

A staple of the west side, Clyde Common features a clean, rustic interior which buzzes with activity during happy hours on weekdays. Common plates include poutine, rustic eggs, or a charcuterie plate to share. Pair those with a local draft ale or their “pacific standard” cocktail, and you have an outfit ready to suit your spring evening.

 

Good Coffee

Creative-Circle_Matthew-T_Good-Coffee

As the name might imply, this cafe was established with the intent to put a quality cup first. Started by a few industry veterans, the new cafe now boasts two locations on Portland’s east side. When you go, look for a variety of bean offerings as well as the unique drinking vessels you are served.

 

Olympic National Forest

Creative-Circle_Matthew-T_Olympic-National-Forest

A drive outside of the city may find you in one of the nearby national forests. One popular destination has been the entryway to the greater Olympic National Forest, which resides near Lake Cushman, Shelton, and other rural communities. Nearby you’ll find trellises, old bridges, and an abundance of nature trails.


Matthew is a Creative Circle candidate and your guide to DWP’s events and open houses.

Still on the fence about attending events or open houses?

Read our blog on why it’s important.

Can’t attend?

Follow us on Twitter and Instagram for updates and recaps.

Artist and designer Max Springer (@and.max.springer) and his wife Lauren (@lalaplaza) decided to make the move from Los Angeles to New York. We asked them to share their journey and their art on our Instagram (@Creative.Circle). See how they live creative.

Instagram_Max S
Driving from Los Angeles to Boulder, Colorado. Not a lot of time to see the local sites but enjoying the motel and gas station tourism pamphlets.

Location: Grand Junction, Colorado

Instagram_Max S_Grand Junction
No time for skiing today.

Location: Vail, Colorado

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So long, Nebraska.

Instagram_Max S_Chihuaha
Passing Cleveland, we didn’t stop at the Rock and Roll Hall of Fame and Museum but took a slight detour through southern Ohio.

Location: Wooster Cemetery

Instagram_Max S_Wooster Cemetery
Stopped for lunch in Berlin, Ohio.

Location: Holmes County, Ohio

Instagram_Max S_Berlin, OH
Pit stop at Circle K. Home stretch.

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Welcome home Max and Lauren! Thanks for sharing your trip with us!

Instagram_Max S_Home
Find out more about their art (and get a postcard mailed to you) at www.laurencherrymaxspringer.com
Want to hire Max? Call Creative Circle New York!

We all have body issues, well, at least I do. Sometimes it’s bloated and every so often, it feels too wide or tall. On occasion, I don’t feel comfortable with it, or it just isn’t appealing enough for readers to get to know better.

Are you working hard in one area but not making overall progress on your page?

Pages of copy will not be paid attention to unless the type looks irresistible. But I’ve found a way to have readable sections, svelte rags and desirable line lengths that just feel so… right.

Here are seven ways to make your readers beg for more (information).

1. Read it first, or at least scan it.

Review and take notes on the content types. Then be sure the typeface you choose contains the weights, special characters, and glyphs found in the draft copy. You don’t want to be typesetting for two days in and realize the font you’re using doesn’t support the fractions on page 24.

2. Keep it simple.

Avoid using display fonts for body copy. Display fonts have a lot of personality, and that personality gets in the way of the reading experience. Leave the personality to the cover type, headers and subheads. For run-in subheads, body copy and smaller type, stay legible and readable with roman typefaces.

Our Notebook_Typographic Tidbits_display

3. Contrast communicates context.

When pairing, choose faces from different classifications. When typefaces are too similar, they play tricks on your readers eyes. The body copy might be Helvetica but if the subheads are Arial, they might be difficult to identify. To play it safe, choose a serif and sans serif.

Our Notebook_Typographic Tidbits_pairing

4. Less is more.

An elegant typography system can be created with different weights from the same family. You don’t need more than two typefaces to create beautiful body copy. And in many cases, it can be done with just one if the typeface has many fonts. Many families have gorgeous italics or small cap fonts to help you create variety while maintaining consistency.

5. Maintain consistency.

Establish a system early in the project to ensure the same fonts and guidelines for usages are adapted among your team. Cement the system designated with headers, subheads, body copy, captions and legal into a style guide and utilize across all media for a persistent look to all brand communications.

6. Keep your lines comfy.

Readers’ eyes can only scan so much at one time, typically 50-70 characters per line, so keep your line lengths short. When lines are too long, it’s difficult to find where to begin reading the next sentence and continue. When lines are too short (less than ten words), your copy block will lack elegant rhythm and proportion. Try to either adjust the font size or create two columns to create a comfortable line length.

Our Notebook_Typographic Tidbits_linelength

7. Create body shape.

Left justified type is lovely, and even more so when the rags are shapely. To create beautiful, curvy rags at the right edge of all of your paragraphs, use hyphens. Avoid leaving a hyphen on the first line, and don’t allow three hyphens in a row (the term for three in a row is called pigtails), because it’s difficult to locate the next line. Keep to three or four hyphens per paragraph, if possible.

Our Notebook_Typographic Tidbits_Body Copy

Incorporate these tips as part of your copy setting process, and then stand up and be proud of your body! Your page layouts will invite the reader in and they will love your new body copy.

To gather inspiration on how others create hierarchy and set body copy well, we refer to the printed versions of Worth , Fast Company , New BeautyMcSweeney’s Quarterly and more. If you’re looking for really clean blocks of copy, download a few Mercedes brochures. Nothing like a little German engineering in the typesetting to inspire us all.

For those who are really into refining your body copy, read more about Michael Stinson’s secret to setting a perfect block.

Do you have any favorite magazines or books that draw you in with their body copy and keep you reading? Let me know by tweeting us at @TypeEd. I’d love to see what inspires your design work.


Rachel Elnar is the producer and co-founder at TypeEd, where she helps bring the craft of typography back to design education. Get more type in your inbox and sign up for more about TypeEd columns (and other announcements).

Listening is not always easy. In part because a lot of the time, we don’t want to hear what is being said.

I think of myself as being a good listener. I enjoy attending to people and hearing their stories. And I typically pride myself on my steadfast and unflinching willingness to dive inward and make myself aware of the messy human messiness that is Nina. I like to think that I know myself.

Self-obfuscation, like any form of denial, has a funny way of making you think you’ve got the whole picture, when really, you’ve just punched your own self in the eye so hard that it’s stuck shut, making it so that you can only perceive half of what’s in front of you.

It has become clear to me that I haven’t been seeing myself clearly, not recently and probably not for a long time.

The other week I had a lunch meeting with a friend of mine about a project of his that I am helping out on as a researcher. The project initially started out as a music video and had spiraled into a larger vision that included a graphic novel and animated series. I was going to help him build out the future sci-fi world it all takes place in.

I left my music internship expecting to be gone for an hour and a half at the most. It ended up being a three-hour long meeting full of discussion on character motivations, philosophical underpinnings of the plot, and the creative life.

And it was the most fun I’d had in a long time.

I was struck by my thoughts as I left that meeting: I wish I could do that all the time. I wish there was a way to get paid to do that every day.

It was a moment of clarity. And in recognizing that, I realized how I had been ignoring my instincts for far too long.

“Aha!” moments in my life have had a similar theme. The first one was when I was a junior nearly senior studying abroad in Granada, Spain. The class I enjoyed the most while I was there was Contemporary Spanish Theater. In the last week of the course, one of the playwrights we had read came into class to speak with us about her play and about being a writer.

I left the class in tears at how I much I identified with her, how much I felt like a writer at my core, and how intensely I wanted this new (albeit farfetched) dream of moving back to Granada to live and write there.

The second moment of insight was when I was trying to decide whether or not to go to graduate school in Philosophy. The prospect of going weighed me down, and made me feel trapped. In a thought experiment, I spent five minutes acting as though I were pursuing a further degree in writing to see how that idea felt in my body. It was startling how quickly any tension evaporated; I felt freer and happier.

Combined with this lunch meeting, all the signs pointed to a truth I hadn’t been acknowledging: that I need to give my impulse towards writing a fair chance – otherwise I might be smothering the only dreams I’ve ever known.

I can’t say for sure that I won’t try my hand at it and decide that I would rather do something else with my life. In the meantime, I need to keep my ears and heart open and listen.


Meet Nina, a recent graduate of a liberal arts college, with many passions, interests, and skills…and no job. We invite you to join her (and commiserate) as she struggles wading through the post-graduate swamp world. A creative at heart, and most likely a mermaid in another life, when she is not at the pool, she can be found writing, reviewing music for The Wild Honey Pie and OurVinyl, making art with her friends, goofing around on Photoshop, cooking, or frolicking amongst foliage while dreaming of how to save the planet from destruction by human hands.

SXSW was a whirlwind adventure filled with some amazing times and entertainment. While I had some crazy great times, it wasn’t all perfect. There were several high moments, but a few low ones as well. Below, I share the “Pit and the Peak” or the best and worst moments of my time at SXSW.

BEST MOMENT

Winning an Olympus OM–D Digital Camera at the Drink & Click Event

You never know what you could win at SXSW. Many companies have giveaways at their booths in the streets, at the convention center and at the parties they sponsor. About a week ago, while researching parties to attend, I saw that an event series called Drink & Click was coming to town for SXSW. This is a traveling event intended for photography enthusiasts to get together for a drink to share best practices and take awesome photos.

Olympus was sponsoring the event and giving away a pretty sweet camera, called the Olympus OM-D. I’ve wanted a decent camera for some time now, so I was determined to go to this party for a chance at winning it. Brooklyn Brewery was also sponsoring the event, so free beer was appealing as well.

When the time came to do the drawing for the camera, there were several hundred people with the same hopes as me. I knew my raffle ticket number by heart, #614.

They called the first number, and no one called out. Someone must have gotten their ticket and left before the drawing. Everyone was excited for another opportunity to win the camera. Then they shouted the next number: “614!” Instantly, I said to myself “That’s me!”, but I must have been in shock because I didn’t say it out loud. Everyone started thinking again that maybe they had another shot at it. Oh heck no. I looked down at my ticket one time for confirmation, and yelled, “That’s me!!” Someone next to me asked, “Seriously?”  I replied, “Yep!” and started jumping for joy.

WORST MOMENT

Heat Exhaustion, Crazy Lines & No Entrance at The Spotify House

As SXSW Interactive was coming to a close, and the SXSW Music Festival was starting to rev up, I decided to end my coverage of the event by checking out one of the most notable places to rock-out, The Spotify House. My goal was to catch Day 1 headliner and R&B singer, Miguel, at 6:15 pm. I knew the lines would be ridiculous so I RSVP’d in advance and arrived two hours early.

When I arrived, the line was already wrapped around the building.  I decided to wait since two hours seemed like enough time before the show to get in, and I didn’t plan anything else for the rest of the day. An hour went by and I hadn’t moved up at all. I started to get worried that I may not get in. Just then, a Spotify rep came down the line, telling us we most likely would get in, so I continued to stick it out.

After waiting for an hour and forty-five minutes in the sun, on the record-breaking hottest day of the year, with the heat index reaching well into the mid 90’s, I finally made it to the actual line near the entrance gates. There was light at the end of the tunnel!

Miguel started performing as I approached my turn to get into the concert. Exactly as was making my way to enter, The Spotify House reached capacity, and the gates were shut in our faces. Disappointment and frustration set in as well as heat exhaustion. Two people near me passed out as there was no water available. And I was starting to feel faint from standing in the heat without water for the past two hours.

Goes to show that even when you plan, you still need to be prepared for waiting in lines…and not getting in!

Tips for next year:

  • Arrive several hours in advance for headliners.
  • Bring water, hand-held fans and other cooling mechanisms.
  • Wear sunscreen, hats and sunglasses.

Bad Moments in Austin are (Fast) Fleeting

I didn’t want to leave Austin on a bad note, so I stopped in a local cantina, called Licha’s Cantina on my way back from what would have been the Miguel concert. I immediately ordered a huge Tecate and water to re-hydrate and chill me out from what just happened.

This spot was amazing and had a great ambiance. They offer delicious “Interior Mexican” cuisine and an enormous amount of different Mezcal drinks, which are my favorite type of drinks. I had the Alambre Tacos (Wagyu skirt steak, bacon, queso asadero, onions & peppers) paired with a Mezcal Negroni (Union Mezcal, Carpano Antica, Campari). After eating this delicious food, having a few great drinks and assessing all my winnings and experiences from this weekend, you can bet I no longer cared about not getting into the Miguel concert. All I could think of was SXSW 2017! We’ll see you there!

Licha's Cantina at SXSW


Denise is a Creative Circle Houston candidate and YOUR guide to the unofficial SXSW.